The High Renaissance & Mannerism in Italy and the High Renaissance in Essay

The High Renaissance & Mannerism in Italy and the High Renaissance in the North - Essay Example This differed from the stylistic and artistic ideals of the high renaissance, which focused on the exploration of the harmonious ideals. Mannerists painted figures by using twisted or contorted poses and foreshortening. They used this technique to achieve an illusion of form projecting into space. This is evident in Michelangelo and Raphael’s frescoes in the Sistine Chapel. The paintings in the chapel appear stretched. The figures have elongated necks and torsos, which create unrealistic illusions of space (Murray, 2007). Additionally, the paintings in the ceiling of the chapel show sharp jumps from the foreground to the background instead of the usual gradual transition. In this case, Raphael and Michelangelo experimented with traditional subjects from mythology or the Bible in order to intensify emotional responses from the audience. This was also used in order to add to the visual or literary references. Mannerism differs from high renaissance in terms of approach, content and form. High renaissance was the apex of visual arts. This was a period of extraordinary artistic production. The most popular artwork of this period is the Last Supper by Leonardo. Artwork of the high renaissance emphasized on classical tradition and the expansion of the network of patronage. During this period, there was a gradual attenuation of figures into an artistic style, which was later known as mannerism (Murray, 2007). Though the frescos of Michelangelo and Raphael were produced during the period of mannerism, their standards are considered as a culmination of the high renaissance style. These paintings are viewed as high renaissance because of their ambitious scale, complexity of composition, use of pointed iconographic and closely observed human figures. The paintings of Raphael and Michelangelo on the ceiling of the Sistine Chapel have differences and similarities to the artwork of the high renaissance. The